24 April,2021 06:51 AM IST | Mumbai | Upala KBR
Shravan Rathod
Nadeem-Shravan during a jamming session for Dev Anand's Lashkar
We composed over 1,200 songs together. Our first assignment was Bhojpuri movie Dangal (1977), which went on to complete a golden jubilee. Mithun Chakraborty, who was like our godfather, believed in us and helped us sign Ilaaka [1989]. The next year, we bagged Aashiqui [1990], which was a turning point in our lives. That film was God's gift to us - I had gone to Mecca before that, and prayed for international fame. For Aashiqui, we had a sitting with Gulshanji [Kumar] at Mithunda's bungalow at Madh Island. The sitting went on from 11 pm to 2 am. After hearing the songs, Papaji [Kumar] hugged us and said, âLet's work together.'
The success of Aashiqui's album landed us Saajan [1991], Phool Aur Kaante [1991], Sadak [1991], Deewana [1992], Hum Hain Rahi Pyar Ke [1993], Raja Hindustani [1996] and many more movies. Shravan was like my younger brother. We did everything together - from buying his first car to [scouting the city for] his first house. Unfortunately, we were hit by a tragedy [the Gulshan Kumar murder case in 1997] and suffered for no fault of ours. [The environment] was so vicious that we kept fighting, until one day, Shravan broke down. It created a rift between us till we reunited for Do Knot Disturb [2009].
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In spite of our differences, our bond was unbreakable. I had spoken to him only 25 days ago. I was constantly in touch with his son Sanjeev from the day he was hospitalised. Today, it feels as if a part of my body has been taken away. In the course of our partnership, we've lived a lifetime, and seen the highs and lows together. I feel helpless that I couldn't meet my friend to bid him goodbye.