19 January,2019 07:29 AM IST | Mumbai | Snigdha Hassan
Anand Satam (left) with Akanksha Kadam
The centuries-old history of lavani has traversed through a complex terrain of gender and caste. While the lesser-known tradition of Sangeet Bari characterised by its intimate baithak style has always had women performers, the more popular Tamaasha style only had male performers up until the 1880s, who dressed up as women characters. The reason mirrored the patriarchal notions of the time that looked down upon women in the entertainment profession.
"Things began to change when two women, Pawala Bai and Baya Bai, from the so-called untouchable communities of the time, began to perform lavani. With more women joining in, the number of male performers dwindled away," informs Bhushan Korgaonkar, who wrote the book, Sangeet Bari, in 2014. This Friday, Korgaonkar's Sangeet Bari production directed by filmmaker Savitri Medhatul, will not only combine multiple narratives such as the lavani woman, musicians, the customer and researcher but also celebrate the Pride month with a performance.
Ashimik Kamthe
The post-interval segment will feature a lavani song performed by male dancers Anand Satam and Ashimik Kamthe, who will dress up as women. The aim is to give the city's audience a taste of the gender-fluid, all-inclusive, evolved face of the dance form, which is not fully explored.
ALSO READ
'Cortisol face': Medical and fitness experts dissect the new social media trend
Food review: Bring home the pie
After Sweden restricts screen time for kids, Indian experts express their views
With cropped capri pants back in vogue, stylists tell you how to nail the trend
Hindi Diwas: An artistes’ collective will celebrate the Hindi language in Mumbai
After the need-based tradition of men dressing up as women ceased to exist, it was some time in 1995 that trained classical dancer Anil Vasudevan conceptualised an all-male gender-bending tamaasha production, called Bin Baikancha Tamaasha (tamaasha without women), which received massive success.
Satam, who was part of Vasudevan's team for about five years and will present a duet performance with Kamthe, tells us, "Up until we enter the make-up room, we are regular men. But once the get-up changes, everything transforms. For three hours, we forget who we are. Our gestures, gait and mannerisms are all in sync with the women characters we portray and ought to do justice to."
ON January 25, 7 pm
AT Tata Theatre, NCPA, Nariman Point.
CALL 22824567
Entry Rs 200 onwards
Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates