Updated On: 06 October, 2024 07:09 AM IST | Mumbai | Mayank Shekhar
In equal parts, vulnerable and vain, wholly real, Ananya Panday literally owns this space. As she does the film, that she’s in practically every frame of, from start to finish

A still from CTRL
If there were too many Ctrl+C, Ctrl+V, as in copy-paste filmmakers in the world—naturally inclined towards a certain style, or recurring theme/thought in their storytelling— Vikramaditya Motwane, the director of CTRL, is easily the furthest from it.
His last film, that I’ve yet to watch, is a documentary, India(r)a’s Emergency. Right after a mockumentary (AK vs AK), that followed a super-hero flick (Bhavesh Joshi), and a one-room, one-actor drama (Trapped), before that.