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Beetlejuice Beetlejuice movie review: 'An ideal fan service...'

The narrative feels scattered at the start and then begins to take some shape as Burton’s characters start to gain some meaning in the byplay

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Beetlejuice Beetlejuice movie review

Beetlejuice Beetlejuice movie review

Film: Beetlejuice Beetlejuice 
Cast: Michael Keaton, Winona Ryder, Catherine O`Hara, Justin Theroux, Monica Bellucci, Jenna Ortega, Willem Dafoe, Arthur Conti
Director: Tim Burton
Rating: 3/5
Runtime: 104 min

This sequel to the 1988 horror comedy about a renegade “bio-exorcist” liberated from the afterlife, is inventive, appropriately ghoulish and humorous. Burton may not have been at his best of late but with this sequel, he appears to have resuscitated his form. This sequel is a fun outing with a fairly valid reason to exist. That can’t really be said of the numerous sequels that many cinema IP’s have generated over the years.

Jenna Ortega and Monica Belluci are among the welcome new additions to the old crew of Keaton, Ryder, Catherine O’Hara and shrunken-headed Bob. Three generations of Deetz family return to Winter River. Ryder as Lydia Deetz is now a widowed mother famous for hosting a paranormal reality show called Ghost House, where she invites viewers to dare to share chilling experiences of unexplained phenomena in their homes. From triggering visions of Keaton’s Beetlejuice sitting among the studio audience we learn of her still unresolved haunted past. Lydia’s strained relationship with her teenage daughter, Astrid (Ortega), who chafes at her reluctance to divulge information about her late father, Richard (Santiago Cabrera), is the cause of great resentment. Astrid wants Lydia to communicate with Richard’s ghost and Lydia’s reluctance makes Astrid believe that her mother’s powers are all hokum. So its Astrid who accidentally opens the portal to the Afterlife.There’s a different dynamic now between Lydia and her artist stepmother Delia (O’Hara) who has shifted from sculpture to mixed media and uses her own body as a canvas.

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