Updated On: 29 November, 2019 05:45 AM IST | Mumbai | Sonia Lulla
Knives Out has a power-packed flock of performers and the beautifully-cast protagonist, ensuring that this whodunit elevates from being a murder mystery to a thrill.

A still from Knives Out
In his first cinematic outing following his act as the shield-wielding superhero Captain America in Avengers: Endgame — only punctuated by the Netflix release The Red Sea Diving Resort — Chris Evans transforms seamlessly from being Hollywood's nice guy to an arrogant and 'entitled' "black sheep" of the Thrombey family. And despite his seven-year stint of consistently charming viewers in the Marvel Cinematic Universe, Evans manages to be instantly despicable in director Rian Johnson's first offering since Star Wars: The Last Jedi (2017).
A power-packed flock of performers — including Jamie Lee Curtis, Michael Shannon, 13 Reasons Why fame Katherine Langford and the beautifully-cast protagonist, Ana de Armas, also seen in Blade Runner 2049 — ensures this whodunit elevates from being a murder mystery to a delightful blend of satire and thrill. At the crux of it all is the enchanting Daniel Craig as private detector Benoit Blanc, anonymously appointed to investigate the suicide/murder of the ultra-accomplished author Harlan Thrombey (Christopher Plummer) on the close of his 85th birthday. With his multi-million heritage now up for grabs, his extended family is put up to trial by Blanc, who lifts the veil off their best-kept secrets to unveil their selfish motives. As he moves from member to member of the Thrombey family, it becomes increasingly evident that each one had reason enough to have delivered the final blow. Harlan's eldest daughter Linda (Curtis) considers herself a self-made woman, except that her empire stands on a $1 million sanction from her father. Linda also looks down upon younger brother Walt (Shannon) for merely managing their father's business, even though Walt considers himself more capable of making decisions for the empire. Harlan's daughter-in-law, Joni (Toni Collette) a widow, is also dependent on his monthly cheques to send daughter Meg (Langford) to an expensive college, but is caught siphoning off an equivalent amount through her beauty company, Flam. Linda's son Ransom (Evans) is the misfit in this already crumbling family; one who fails to turn up for Harlan's funeral but doesn't miss his will-reading session.