The Zone of Interest movie review: Captures your imagination with sound bytes

Updated On: 01 March, 2024 03:04 PM IST | Los Angeles | Johnson Thomas

Despite the very dry, unemotional nature of this telling, the narrative demands attention. Sometimes the most important thing happening on screen is happening in the background

The Zone of Interest movie review

Film: The Zone of Interest
Cast: Christian Friedel, Sandra Hüller, Johann Karthaus
Director: Jonathan Glazer
Rating: 3.5/5
Runtime: 107 min

Jonathan Glazer’s film is a very loose adaptation of the Martin Amis novel on the Holocaust. In the film he shows us the everyday life of a Nazi Kommandant and his family while leaving the horrors of the Holocaust to slowly seep into our imagination. We don’t see the inhumanity happening but we definitely get the gist of it through the intelligently structured audio-visual entreaty. The beauty of it all is that there’s no plot. Glazer is in complete control of what he wants to show and not so much about what he wants us to know and interpret.

Auschwitz commandant Rudolf Höss and his wife Hedwig ( Sandra Huller) are living the ‘Fantasy Ideal’ that Hitler promised them. But for the audience watching them gloat through that splendidly shadowed sun, given the knowledge that thousands of Jews were being incarcerated, tortured and damned just across their compound wall in Auschwitz, it becomes a stark inducement for memories of a period that is unforgivable. Christian Friedel`s Hoess is terrifyingly normal. He was a devoted family man but as the Kommandant of Auschwitz, he oversaw the murder of around three million people. He sees the running of a concentration camp as a job and uses the German ethic of hard work and organisation to fulfill his duties. His wife and children too seem normal. The only time we see the evil seeping in is when Hedwig, upset with her husband’s transfer, takes it out on the maid. Threatening her in no uncertain terms that she would tell her husband to scatter the maid’s ashes all across the land. Hoess’ wife is upset because the transfer might lead to her losing her idyllic lifestyle. The transfer happens. The wife and kids stay back and later on, within a year (May ’44), Hoess’ gets re-appointed to Auschwitz.

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