Updated On: 15 April, 2022 07:46 AM IST | Mumbai | Mohar Basu
Problems galore but dhishoom-dhishoom on point and dialogues that you’ll be repeating for months. One can most certainly call this puerile that’s what it effectively is. Yash taking on Sanjay Dutt and Raveena Tandon who are all having a ball of a time here, is worth the ticket price

A still from the film
My primary grouse from KGF Chapter 2 is that it’s an incredibly loud movie. And by that I don’t mean how garish it is. It’s easier to handle that over the decibels it subjects us to. That said, something about this incredibly noisy film works despite its multiple follies. I daresay, it’s the kind of masala movie that Bollywood would dish out in the last decade. Problems galore but dhishoom-dhishoom on point and dialogues that you’ll be repeating for months. One can most certainly call this puerile that’s what it effectively is. Yash taking on Sanjay Dutt and Raveena Tandon who are all having a ball of a time here, is worth the ticket price.
This movie is textbook masala fitting the template perfectly - angry young man hero, deadly villain, conscientious law keepers, blaring BGM, playing to the gallery performances and formulaic setting. I suspect it is the cinematic language Prashanth Neel brings to the film that Bhuvan Gowda’s sharp camerawork only elevates, in this could-have-been banal, formulaic fest. KGF Chapter 2 does better than expected especially in the whistle worthy dialogue department.