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Jeejivisha Kale: ‘Love for Tighee has been heartwarming’

Tight budgets, struggles with the censor board notwithstanding, Tighee, a Marathi film about an ailing mother and her daughters, has found deep resonance among the audience

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A still from Tighee

A still from Tighee

Jeejivisha Kale, the young director of the much-acclaimed Marathi film Tighee [three of us], meets us at a book café in a leafy Pune bylane. She has ridden there on a two-wheeler “praying there are no speed breakers” because she’s in a lot of pain due to PMS. The tone of our conversation is set — candid, freewheeling, in tune with her very girl-next-door vibe, a lot of which seems to have seeped into her debut feature film. 

Like all good films, Tighee is not about one thing. It reveals deep insights about life, death, relationships, family, and human nature while touching upon sexual harassment  and paedophilia. “I was clear I wasn’t making a PSA. I wanted to tell a good story,” Kale quips. 

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