Updated On: 04 March, 2022 07:21 AM IST | Mumbai | Mayank Shekhar
What you observe throughout the film are strong yet subtle statements on caste and religion, identity and politics, anonymity and hierarchies

Jhund
Totally love the title, Jhund. It literally means a pack, in reference to animals, usually. They’re anonymous (to humans), by nature. By which one implies here: a large group of equally replaceable, generic, invisible, voiceless men and women. That is precisely what the poor in India (or Third World in general), look like, when observed from a distance.
In fact that’s probably the point of this picture itself —to put a face to the faceless. Which the upper-class eyes are trained to look through; mainly on the streets, but otherwise too. Writer-director Nagraj Manjule zooms in, allowing the camera to linger on some faces, for just a little bit longer — just so they register among audiences.