Aastha Gill

An interaction with Badshah - like it always does - is most certain to tickle the funny bone. Reacting to queries on the need to be watchful about obscenity in lyrics, he recalls revisiting a celebrated track from Mohra (1994) over the weekend. "Subah se le kar shyam tak, shyam se le kar raat tak, kuch shaadi ke pehle, kuch shaadi ke bad... I mean, I'm still trying to understand what kind of love this is," he quips.