Updated On: 03 May, 2018 07:35 PM IST | Mumbai | Mohar Basu
It's a shame really that Omerta lacks depth, never giving an insight into Omar's criminal designs.

Rajkummar Rao in a still from Omerta
Omerta
U/A, Drama
Director: Hansal Mehta
Starring: Rajkummar Rao
Rating: 
In a scene in the final act, Hansal Mehta laid open the pivotal reason why he attempted a movie on Ahmed Omar Saeed Sheikh. A bunch of Pakistani officers who have to arrest Omar for killing Wall Street Journal scribe Daniel Pearl, put it perfectly - You have the making of leader; you are an educated man who can command respect unlike scores of illiterate Jihadis. Which I believe would have been the trigger point for Mehta to consider making a movie on the man. Tracing the journey of this London School of Economics graduate, Mehta walks us through the incidents that could as the highlights of his eventful life - Bosnian genocide, his arrest in India after a failed attempt at kidnapping foreign tourists, his involvement in Kandahar attack, 9/11 and eventually the brutal execution of Pearl. It would have been dreadful if Mehta staged it as a cautionary tale; understandably he didn't want to glorify Omar. But it isn't the best thing that at the end of the film, you don't quite know who Omar is. A large part of the problem lies in the fact that Mehta or his writer Mukul Dev never delve into how a seemingly well-raised, educated man turned to fundamentalism. But skimming through incidents is how Mehta approaches the character. Omar's ideals are never elucidated; his involvement in 9/11 and Kandahar are conveyed in background narration, sans dialogues, and his marriage to a trophy girl from the creme de le creme of Pak circles is gratuitous. Mehta makes no effort to analyse the psyche of this dreaded criminal. In a folly, I even assumed that Omar was smitten by the rush of power when he tells his Abba (father), how much people respect him.