I saw Shaukat aapa on stage for the first time in 1963 in the play Africa Jawan Pareshan (Africa, Young and Awake), written by Zul Vellani and starring AK Hangal. Produced by the Indian People's Theatre Association (IPTA), it was a story of bonded labour in Africa and the struggle for independence. This was my introduction to experimental theatre. I recall being so mesmerised by her performance, that I decided to join IPTA. I would go on to watch her perform a number of plays at Prithvi Theatre.

Shaukat aapa hailed from an illustrious, well-educated, affluent family in Hyderabad.