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Last Christmas Movie Review: Uplifting seasonal drama

Last Christmas is borrowed from George (Wham!) Michael's album 'Last Christmas' and most of the songs on that tape (and previously unreleased ones) get to be highlighted, as this seasonally festive drama reaches its uplifting conclusion.

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Last Christmas movie poster. Last Christmas movie's Instgaram account

Last Christmas movie poster. Last Christmas movie's Instgaram account

Last Christmas
U/A; Comedy, Drama, Romance
Cast: Emilia Clarke, Henry Golding, Emma Thompson, Boris Isakovic, Lydia Leonard, Michelle Yeoh

Director: Paul Feig
Rating: Rating

This film starts out as a typical Christmas tale – it's about a blatantly rude and selfish heroine coming to understand the twin joys of seeking forgiveness and giving, just in time for Christmas. But just before we get to hate the heroine to the point of no return, the writers Emma Thompson, Bryony Kimmings, Greg Wise and director Paul Feig pull the rug from under our feet. A subtle reveal turns the apparent construct to a more appealing and empathetic one. We get to understand Kate's (Emilia Clark) unique angst and begin to commiserate with her alienation. That's when this movie truly wins you over. As George Michael sings 'Sometimes you've just gotta have faith.'

The moniker is obviously borrowed from George (Wham!) Michael's album 'Last Christmas' and most of the songs on that tape (and previously unreleased ones) get to be highlighted, as this seasonally festive drama reaches its uplifting conclusion. The story, in fact, links itself to George Michael's unexpected and shocking death from a heart attack on Christmas day by featuring the central character as an aspiring singer who finds herself out-of-sorts after a traumatic medical emergency. Thompson and company forge a strongly invested current narrative with the first generation immigrant Kate, (who hates to be called Katarina) and her Polish-origin family ( mother played by Emma Thompson, Father by Boris IsakoviÄu00c2u0087 and sister Marta by Lydia Leonard) representing the dysfunctions and alienations of a Brexit embroiled London.

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