Updated On: 28 February, 2020 10:56 AM IST | Mumbai | Johnson Thomas
More than the screenplay, it's the direction, treatment, superb camerawork and credibly underlined performance from the leading lady that helps work up some shivers here!

The Invisible Man. Pic/Youtube

Leigh Whannell's makeover of the 1933 classic Universal monster movie, The Invisible Man has a #MeToo horror spin and bears little resemblance to the 1897 H.G. Wells novel that inspired it. In fact, the screenplay appears to be a combo write-up of Sleeping with the Enemy and The Invisible Man with some generic horror elements thrown in for effect. Whannell leaves out much of the original story elements, reworking the basic premise to suit a 2020 outlook.
When Cecilia's (Elisabeth Moss) abusive ex Adrian Griffin (Oliver Jackson-Cohen), a brilliant scientist specializing in optics, takes his own life and leaves her his fortune (under certain conditions), she goes with the flow, little suspecting the trauma that awaits her thereafter. Her sister, Emily (Harriet Dyer), her friend, James (Aldis Hodge) and James' teenage daughter, Sydney (Storm Reid) find it easier to believe that she is going bonkers. A series of coincidences turn lethal and Cecilia becomes the typical unhinged suspect the police zero in on.