Updated On: 26 June, 2020 07:06 AM IST | Mumbai | Mohar Basu, Uma Ramasubramanian, Letty Mariam Abraham
As the TV industry returns to work after three months, mid-day brings dope from sets of Bhakarwadi, Santoshi Maa Sunaye Vrat Kathayein, RadhaKrishn about shooting in the post-COVID world.

The crew on the Umedgaon set of RadhaKrishn
On Thursday, actor-producer JD Majethia drove down to the all-familiar set of Bhakarwadi in Mira Road after 100 days. The joy of returning to work was tinged with an unusual sense of caution. Majethia — who, as the chairman of the TV & web wing of the Indian Film & Television Producers' Council (IFTPC), played an active role in enabling television producers to resume shooting — arrived on the set, with Deven Bhojani, an hour before the cast and crew to ensure the shoot kicked off on the right foot.
Day One began with the producer reiterating the guidelines to the team. Majethia had called only 30 per cent of the original crew, comprising actors Bhojani, Akshay Kelkar, Akshita Mudgal and Paresh Ganatra, and a handful of technicians. As a safety measure, the studio had lockers installed at the entrance. "Before they enter the set, they have to remove their footwear and wear the pair of slippers provided by us. We have provided umbrellas that everybody walks around with, thereby ensuring that social distancing is followed. We have marked everyone's position, and the actors and technicians have to sit in the designated areas. As per the guidelines, we also have a nurse on the set who checked everyone's temperature before letting them in," explains Majethia. While the actors had to mandatorily wear masks and gloves when not filming a scene, the technicians sported them all day long. The handful of spot boys present on the set wore PPE kits provided by the production house.