Updated On: 13 June, 2023 08:03 AM IST | Mumbai | Letty Mariam Abraham
From researching ancient texts to exploring karma, Asur writers Shukla and Khuman on how they wove in Indian mythology into the thriller

A still from Asur
There are no good or bad people, only bad circumstances. This central thought is seamlessly conveyed in the two seasons of Asur. On the surface, the JioCinema offering revolves around the cat-and-mouse chase between two forensic experts and a serial killer. But what sets it apart from many others in the genre is that it has Indian mythology at its heart, with the central parts essayed by Arshad Warsi, Barun Sobti and Vishesh Bansal inspired by mythological characters.
Creator-showrunner-writer Gaurav Shukla, who has penned the latest season with Abhijeet Khuman, shares that he began writing Asur’s script in 2009 and struggled to find takers for his unique idea. “Although everyone liked the concept, no one wanted to make it into a film or series because they [were dissatisfied about] one hero being in jail and the other in captivity.” It was the need to tell an original story that pushed Shukla to set his story against the backdrop of an investigation of a serial killer. “The idea was to showcase a story rooted in India. That’s how we came up with the idea of having a killer with a mythological bent of mind,” he says.