Updated On: 28 March, 2022 07:40 AM IST | Mumbai | Ajaz Ashraf
The film’s endeavour is to establish the monopoly of Kashmiri Pandits over India’s sorrow—and then let Hindutva use it to oppress Muslims

The film creates its own history: it says the guns of militants replaced the “swords of Sufis” in the centuries-old Muslim project of Islamising Kashmir
When I entered the theatre to watch The Kashmir Files, I was reminded of a Kashmiri Pandit woman who was displaced from Srinagar and who I met only once. In that meeting, she spoke of a dream she often had, of a room made of mud in her ancestral house where the family would retreat in winter to keep warm. “I don’t know why this dream keeps recurring,” she said.
I have always countered those who argue that Kashmiri Pandits were as vulnerable as Kashmiri Muslims during the outbreak of militancy in 1989-90—and should not, therefore, have left the Valley. I find this argument bogus, not least because of the acute anxiety I experienced during the movement against the Babri Masjid.