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The secrets of the C-grade trade

What’s it about Bollywood’s own, late ’90s Boogie Nights, that makes us think about movies differently

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A still from Cinema Marte Dum Tak

A still from Cinema Marte Dum Tak

The opening shot of Vasan Bala’s docu-series Cinema Marte Dum Tak (CMDT), on Amazon Prime Video, is a scene from Kanti Shah Ke Angoor, starring superstar Sapna. It’s the same moment, I think, that also referentially features in Vikramaditya Motwane’s Udaan (2010).

CMDT is a nod to Bollywood’s B/C-grade cinema, which peaked in the late ’90s. That makes the opening shot, unrelated to scenes that immediately follow, a tribute of a tribute, of a tribute—an inception of homage, if you may.

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