Updated On: 21 July, 2024 07:20 AM IST | Mumbai | Sumedha Raikar Mhatre
An award-winning Marathi novel explores the gradual demise of the family tailor institution and the disappearance of India’s ancestral professions rooted in traditional handcraftsmanship

Devidas Saudagar operates from a makeshift shop located near his home in Tuljapur, after Saudagar Tailors shut down
The thread that plays in my hand, the scissors that fit snugly in my grip, the machine that whirs swiftly, the measuring tape that sways around my neck...these things have become integral to my life, says Vithu, the tailor protagonist of Usvan (seams come apart), the novel which recently won the Sahitya Akademi Yuva Puraskar 2024.
As Vithu expresses a deep attachment to his ancestral occupation, especially the fond feelings for the tools that his family lived off for two generations, we can hear echoes from other literary works. Lead characters shaped by Munshi Premchand (Godaan) and Rangnath Pathare (Pachola) speak Vithu’s language. His thoughts resonate with Thomas Hood’s The Song of the Shirt which portrays the dehumanising working conditions of seamstresses in Industrial era London—“Seam, and gusset, and band/ Band, and gusset, and seam/ Till over the buttons I fall asleep/ And sew them on in a dream!”