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Sandhya Raman explores how costumes elevate performing arts at this exhibit
Updated On: 28 April, 2024 07:06 AM IST | Mumbai | Tanya Syed
In To Stitch or Knot, celebrated designer Sandhya Raman explores how dance costumes create a visual vocabulary for audiences
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After her first interaction with costume design, Raman has dressed stalwarts like Aditi Mangaldas, Geeta Chandran, Malavika Sarukkai, Anita Ratnam, and the late Astad Deboo. PIC COURTESY/SANDHYA RAMAN
What makes for a spectacle? When the curtains fall and the music fades away, what leaves the audience in a trance? When they leave the room, is it only the mudra that they remember? Is it only the movement and the rhythm that bring a performance to life? Sandhya Raman, an award-winning costume designer, curator, and textile activist, is of the belief that it is costumes that immortalise a show.
In 1990, Raman, then a design student and performing arts enthusiast, met American choreographer Jonathan Hollander at NID. The next year, she’d be working on “Moonbeam,” an Indo-American collaboration, where she dressed distinguished Indian classical dancer Mallika Sarabhai in a white Bengal cotton robe to make for a truly alluring sight. She reminisces about the sheer, textured fabric while speaking to mid-day about her costume showcase, To Stitch or Knot, at the Dilip Piramal Art Gallery, NCPA, as a part of their Mudra Dance Festival.
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