Updated On: 23 February, 2025 01:46 PM IST | Mumbai | Priyanka Sharma
At the recently concluded 7th edition of the Indian Screenwriters Conference, writers spoke about the industry’s unhealthy practices that are hurting the ones who shape the backbone of the project—the story

Niren Bhatt; Reema Kagti. Pic/Kirti Surve Parade; Kanika Dhillon. Pic/Satej Shinde; Dibakar Banerjee. Pic/Getty Images; Zoya Akhtar. Pic/Kirti Surve Parade
Never seen before”, “phenomenal”, “relevant”, “hatke” are just some of the adjectives stars often deploy to sell the stories of their next releases during promotions. But one hardly hears the names of the writers, whose work prompt stars to green-light their projects. But the invisibilsation of screenwriters in the Hindi film industry doesn’t begin when a film nears release. It goes back to the beginning of the process, when a writer’s words start taking shape.
As we catch Niren Bhatt at the seventh edition of the Indian Screenwriters Conference held by Screenwriters Association (SWA), the man behind last year’s blockbuster Stree 2, says a brainstorming session between a director and a writer ends up with the former taking the writing credit. “Directors stealing credit is a practice that has been going on for years. The final credit slate will feature them as both director and writer of the project, while the actual writer is given credit somewhere else.”