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A moral drama with Asghar himself

Here’s why the sequel to Farhadi’s Iranian masterpiece, A Hero, should be an equally gentle film on its contentious making!

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A still from Asghar Farhadi’s film A Hero; (inset) a screengrab from Azadeh Masihzadeh’s All Winners, All Losers

A still from Asghar Farhadi’s film A Hero; (inset) a screengrab from Azadeh Masihzadeh’s All Winners, All Losers

Mayank ShekharYou’ve gotta be blessed with stud-bull confidence in your script to film the opening five minutes of a movie, with nothing, but the lead character—between long and tracking shots—walking out of prison, to meet his brother-in-law, who’s a construction worker fixing the Tomb of Xerxes, in Marvdasht, Iran.

Thus starts Cannes 2022 awardee, Asghar Farhadi’s A Hero (playing in Indian theatres, Friday onwards). Better still for its bombastic title, the hero in A Hero, a good-looking gent called Mr Soltani (Amir Jadidi), is an inmate on a two-day parole, having been in prison for three years, over a debt he couldn’t repay. That hardly makes him a hero. 

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