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Role of viewers in SRK’s subversion

The audience sees in Jawan a critique of the PM, in contrast to BJP supporters and the apolitical, who view it as just a thriller

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Shah Rukh Khan in a still from the action thriller Jawan

Shah Rukh Khan in a still from the action thriller Jawan

Ajaz AshrafThe antidote to the heavy head a person may get after watching Jawan, with its interminable chase-fight-kill sequences and unbearably loud music, would not be an analgesic but a reflection over Shah Rukh Khan’s audacity to critique Prime Minister Narendra Modi and his Bharatiya Janata Party. Khan has stood up when other filmstars have either chosen to stay silent or fawn over Modi, and propaganda films like The Kashmir Files and The Kerala Story have become the season’s flavour.

Yet credit is also due to viewers, whose prior knowledge and political inclinations have them see beyond the ostensible in Jawan. With free speech imperilled and censors petrified of displeasing the BJP, the film’s political double entendre every ten minutes invites viewers to enter into a surreptitious pact with Khan for a subversive seeing of Jawan. In sharp contrast to them are BJP supporters and the apolitical, who see the film as just a stylish thriller.

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