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Bhagwan kiske?

With key Jain sangathans taking a legacy Mumbai auction house to court for inviting bids on legally-acquired antiquities, mid-day dives into the debate. Does religious art belong in the hands of collectors and museums, or should it be handed over to the community for whom it’s sacred?

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A black stone stele depicting Neminath, the 22nd Jain Tirthankara, standing on a giant bejeweled conch, surrounded by figures of the other 23 Tirthankaras. This was among 17 coveted idols or shrines offered for auction earlier this month by Todywalla, which were withdrawn after the Jain community went to court. Pics Courtesy/Classical Indian Art Auction 3 Catalogue

A black stone stele depicting Neminath, the 22nd Jain Tirthankara, standing on a giant bejeweled conch, surrounded by figures of the other 23 Tirthankaras. This was among 17 coveted idols or shrines offered for auction earlier this month by Todywalla, which were withdrawn after the Jain community went to court. Pics Courtesy/Classical Indian Art Auction 3 Catalogue

Atop a lion throne, at the centre of a nearly foot-tall bronze shrine, sits Ajinath—the second Tirthankara in Jain faith. Surrounding him are smaller, ornate figures of the other 23 Tirthankaras. Rich with details and inscriptions, it is predicted that the silver inlaid shrine was fashioned by master craftsmen in the 16th century. It was priced at a princely sum of Rs 4 lakh.

This shrine, and 16 other pieces of art—all depicting facets of Jainism—were part of a catalogue for the Classical Indian Art Auction 3 by Todywalla Auctions, a Girguam-based institution established in 1964, now a leading name in the field. 

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