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Writers, publishers dwell on the popularity of Hindi literature

International recognition for Vinod Kumar Shukla and Geentajali Shree is proof that Hindi writing is finally finding pride of place on the global map. But with publishers at the New Delhi World Book Fair disappointed with overall sales, what exactly does Hindi literature need?

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Delhi-based Hindi novelist and professor Prabhat Ranjan, describes Hindi as “the language of small town people... Jo gaon, kasbo [tiny settlements] aur chhote shehero mein rehte hain, aur rickshaw chalate hain”. “Most of the writers [of Hindi] also belong to the same strata of society,” he says. Pic/Nishad Alam

Delhi-based Hindi novelist and professor Prabhat Ranjan, describes Hindi as “the language of small town people... Jo gaon, kasbo [tiny settlements] aur chhote shehero mein rehte hain, aur rickshaw chalate hain”. “Most of the writers [of Hindi] also belong to the same strata of society,” he says. Pic/Nishad Alam

At 86, Hindi author Vinod Kumar Shukla is older than new India. The experience of having lived through innumerable political and social upheavals is visible in his stories, making his work a celebration and expression of what it means to be an Indian from the Hindi belt. And yet, fame has mostly eluded the Sahitya Akademi Award-winning writer behind the masterpieces, Naukar ki Kameez and Deewar Mein Ek Khirkee Rahati Thi.

Last week, Raipur-based Shukla was awarded the PEN/Nabokov Award for Achievement in International Literature, bringing much deserved attention to his writings in Hindi, a language that has continued to draw a lot of political attention—with recent demands to make it the national language of the country—but which continues to be ignored in the literary sphere.

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